In all these aspects, I admire Tuason's technical approach to building terror, even if they didn't do much to scare me. The audio meant to be chilling often had me chilling. Not that scratchy records of children singing "Baa Baa Black Sheep" will make my meditation playlist anytime soon, but the should-be creepy sound effects had me drifting toward sleep, even as I was engaged in the mystery of the tapes. Then that mystery takes a subgenre twist that left me disappointed. To Tuason's credit, he earnestly builds lore that competently aligns to Evy's personal struggles, as if these tapes have found her — and not vice versa. However, after being enthralled by the film's first and second acts, I found my mind wandering in the third. By that point, the strong soundscape concept is overtaken by horror clichés, leading to an ending that is disturbing but also underwhelming. For me, the film's slow burn approach, and my patience for it, didn't pay off.
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